#Cytomic the glue saturation mac os#
#Cytomic the glue saturation plus#

Unlike the Focusrite hardware, FG-Red cannot be run with channels unlinked. This makes the Focusrite emulation aР’В bit more difficult to operate than the SSL clone, at least for me. But while FG-Grey has stepped attack and release controls showing actual values in milliseconds, FG-Red has continuous controls going from 0.0 to 10.0. The parameter set, again, is typical for aР’В VCA design: attack, release, threshold and ratio. The Red 3 Compressor/Limiter may not be as popular as the SSL Buss Compressor, but as mix god Chris Lord-Alge is aР’В prominent user, chances are you've heard it in action aР’В million times.Р”Р‡G-Red is modelled after the Focusrite Red 3 compressor/limiter, a favourite of Chris Lord-Alge's. Red, thus, is not the colour of the plug-in's own (virtual) faceplate, but that of the Focusrite unit it emulates. It seems aР’В bit odd to call aР’В plug-in FG-Red when its GUI is aР’В very dark shade of grey, but in this post-modern world, nothing is what it is, and everything becomes aР’В reference to something else. Just plugging it in without any processing going on increases the level by 1.5dB. One thing IР’В dislike, however, is the fact that FG-Grey isn't level-matched. I'm sure it had its uses in analogue times, but now that we have DAW automation, IР’В doubt that many engineers will miss aР’В knob for automated fade-outs. For accuracy's sake, IР’В should mention that FG-Grey also omits one feature of the original hardware: the auto-fade button. Unlike the hardware, which only has three ratio settings, the lowest being 2:1, FG-Grey can do 1.5:1 for aР’В softer type of compression. It's easy to overlook the Auto release button, which typically gets aР’В lot of use in mix-bus applications. However, the black knobs with their thin markers are quite hard to read against an almost black background. The set of controls is standard for aР’В VCA compressor - attack, release, threshold and ratio - and FG-Grey is probably the easiest of the three to configure, because the parameter ranges are sensibly chosen. Another addition to all three plug-ins, not present in the original hardware, is aР’В Mix knob for instant parallel compression. Like all of the VBC plug-ins, FG-Grey offers aР’В variable high-pass filter in the side-chain, which lets you decide how much influence low-frequency mix elements such as bass and kick drum should have over the compression: depending on the musical style, some pumping can actually feel quite nice. Avoiding trade names, obviously, has aР’В lot to do with licensing, but it has also given Slate and Gabriel aР’В chance to add some features that go beyond the original. While 'grey' refers to the original hardware's colour scheme, the initials 'FG' represent the man who coded these plug-ins, Steven Slate's in-house genius Fabrice Gabriel. You might say that the SSL Buss Compressor started the modern practice of mixing into the compressor rather than applying compression post-mix.Р”Р‡G-Grey is an emulation of the famous SSL 4000 G-Series Buss Compressor - with some added ingredients. Built into aР’В state-of-the-art mixing console, the SSL Buss Compressor quickly became an industry standard, not least because it kept clients happy by making their works in progress sound more like finished products. Some say it is also the source of the additional 's' on the word 'buss' I'm not sure about that, but it certainly popularised this spelling.

The FG-Grey plug-in is modelled on the SSL 4000 G-Series Buss Compressor that is, arguably, the mother of modern mix-bus compression. Aside from that, there have been no stability issues. In the initial release, the VST3 versions did not work in Cubase 7 (64-bit), but this was soon fixed in the 1.0.1.6 public beta.

#Cytomic the glue saturation mac os#

The VBC bundle is authorised to aР’В second-generation iLok USB key and is available for both Mac OS and Windows in Audio Units, VST and VST3 formats (32- and 64-bit) as well as RTAS and AAX1 (32-bit only).

#Cytomic the glue saturation plus#

Virtual Buss Compressors (VBC) is aР’В software bundle comprising three plug-ins created in the image of some of the most sought-after hardware mix-bus compressors, plus aР’В fourth plug-in that combines all three models in one interface.

Slate Digital's answer to this dilemma is to give you not just one compressor but three. Most of us have probably found ourselves wondering whether putting aР’В compressor across the mix bus will make things better or worse, and wondering which compressor to use. Used properly, it can deliver additional loudness, and help to tackle problems commonly associated with mixing in DAWs, applying coherence and 'glue' - yet it can just as easily ruin your mix completely. Mix-bus compression is aР’В double-edged sword. You wait ages for aР’В Virtual Buss Compressor, and then three come along at once. The three VBC plug-ins can be used individually or together in the FG-Rack plug-in.